An earnest soloist is accompanied by the soulful "oo"s of an a cappella choir during the expressive introduction to this spirited original. Soon we take a turn as the piece bursts into an exciting,

Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her

A true classic for tenor-bass choirs, this Shaw–Parker edition features beautiful harmonies in a sensitive setting. Originally arranged for and recorded by the Robert Shaw Chorale, it is an enduring

This celebratory work is solid and rhythmic, featuring a driving accompaniment that helps to fuel the excitement. With options to feature a small ensemble or solo throughout its development, this piece will

If you are looking for a dramatic concert/festival work, be sure to look at this one! The glory of music is treated with great depth and musical-textual imagery in this deeply moving selection, which offers

This exquisite combination of a text based on Psalm 128:1 and the excellent choral writing of Richard Ewer will amply display both choral musicianship and beautiful singing. Beati Omnes is a

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,

This is a real find for a cappella voices! Phrases of "vocal bagpipes," in which the voices imitate the sound of bagpipes, create an amazing effect as they set the proper mood for one of the most beautiful

Premiered at Lincoln Center, this exciting mixed-meter festival piece features both Latin and English versions of Psalm 130. Somewhat reminiscent of Carl Orff's "Carmina Burana," it is truly a striking

This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the

This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects.

A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The

Simply accompanied by either piano or guitar, this enduring Shaw–Parker arrangement of Stephen Foster's tender song of love and loss is a choral staple for tenor-bass choirs.